FLOW STATE PORTAL

PAINTING

A synesthetic concept by artist Paul Sakoilsky

THE FLOW STATE

In the shadow of post-Brexit tensions and tightening restrictions on artistic practice, British artist and writer, Paul Sakoilsky presents Flow State Portal, a bold and defiant exploration in creativity and immediacy. At its core lies a pursuit of the “flow state,” a psychological phenomenon where self-consciousness dissolves, and action unfolds with seamless precision.

A process led evolving exhibition

The process and the exertion of the will is here as important as the petit-bourgeois concepts of ‘success’ or ‘failure’. For Paul Sakoilsky, this is not merely a concept but a call to arms—a testament to the will to create with whatever means are at hand, at any moment, despite the constraints of the times. 

Artist's bio

Paul Sakoilsky (Born U.K. 1964) was brought up in South East Asia and East Anglia, UK. He moved to London in 1982. His earlier background was in literature, philosophy/crit. theory, performance and curation. He studied philosophy & critical theory at the Uni. of N. London. During the 90’s, as “one of the instigators of Shoreditch’s edgier earlier art and music scene” he curated at 30 Underwood St Gallery (1994-2002). He has written extensively on the artist and participated in many of the large-scale Orgies Mysteries Theatre by master artist Hermann Nitsch.

Banner
Gio Montez & Paul Sakoilsky; scribbles by Hermann Nitsch

KUNST the Clown

Taking on the guise of Kunst Clown, Sakoilsky’s anarcho-philosopher alter ego, the artist performs as a shaman-priest, leading the audience in a messy, carnivalesque ritual to unlock the Flow State Portal.

dynamic synthesis of art and action

The exhibition unfolds as a multidisciplinary synthesis, a blending of paint, performance, digital media, poetry, and philosophy into a visceral, participatory and evolving experience. Central works will include new Kunst Clown Overpaintings, a series of reimagined works, and a centrepiece painting-installation created live on opening night. 

exhibition view

happening 31.12.2024

20:00
honour wine

21:00
welcome by Gio Montez 
critical introduction by Marcella Magaletti 
artworks by Paul Sakoilsky

21:30
Dinner

22:00
Act 1. – Symposium
The artist will read poetry from a forthcoming book of poems.


22:30

Act 2. – Kunst Clown
A Discourse on Method through a short interactive lecture-performance in the ongoing Kunst Clown series (2007-2024). The artist will give a short talk about the exhibition whilst the audience are invited to ‘pie’ him with desert.


23:00
Act 3. – Ritual Painting Performance
Opening the flow state portal into 2025.

00:00 – 12:00 
new year ritual 

This celebratory act—part agnostic benediction, part cathartic spectacle—transforms the act of art-making into a communal gesture of rebellion and renewal. It is a chaotic yet cohesive response to fractured times, where the creative process becomes both a resistance to and a reconciliation with the present moment. Flow State Portal affirms the enduring power of art as a force of resilience, connection, and celebration, inviting audiences to step into the unknown possibilities of the New Year/2025.

DINNER MENU: the flow state

aperitivo 
Mixed media on bruschetta

main course 
Flesh on grill

ritual meal
Lentils and cotechino

dessert

Panettone, Torrone, Pandoro

drink

open wine & prosecco

A Paul Sakoilsky manifesto

That I am still alive is a miracle
To know that life intensifies at its edges
Digging into death, ugliness and decay
Expresses nothing less than my unbroken desire to live
An art that articulates itself as others write manifestos
The risk of unleashing the will to power
The audacity of intensity
He does not stand beside his work, it permeates him as it permeates the space he enters, dividing opinions with charismatic energy.
No one has an unbiased opinion of Paul Sakoilsky.
Persistent painterly subversions of everyday events bite the British consciousness that flows in neutral waters
The absurd is the last adequate way to respond to this world
Rituals merge with performance and poetry, which are not afraid of the big questions, but laughingly run away from them again and again
Painting as the blood of life, vitalized and screaming in pain
The return of the clown, cake and paint dripping, sometimes blood in rough quantities, liquid that does not want to be a tear, a laughing Zarathustra descending from the peaks of despair
To be free is to tremble over an abyss
Art as the first possibility to start dancing there
Whose questions rise through a dark, traumatic reality of life into a space of the sublime; they are not separate from art, but can only be formulated through it Art is not an occupation that makes life more beautiful
It is what makes life beautiful
And gives it the possibility of radical beauty
 
by Lena Hugger