A synesthetic concept by artist Paul Sakoilsky
THE FLOW STATE
In the shadow of post-Brexit tensions and tightening restrictions on artistic practice, British artist and writer, Paul Sakoilsky presents Flow State Portal, a bold and defiant exploration in creativity and immediacy. At its core lies a pursuit of the “flow state,” a psychological phenomenon where self-consciousness dissolves, and action unfolds with seamless precision.
A process led evolving exhibition
The process and the exertion of the will is here as important as the petit-bourgeois concepts of ‘success’ or ‘failure’. For Paul Sakoilsky, this is not merely a concept but a call to arms—a testament to the will to create with whatever means are at hand, at any moment, despite the constraints of the times.
Artist's bio
Paul Sakoilsky (Born U.K. 1964) was brought up in South East Asia and East Anglia, UK. He moved to London in 1982. His earlier background was in literature, philosophy/crit. theory, performance and curation. He studied philosophy & critical theory at the Uni. of N. London. During the 90’s, as “one of the instigators of Shoreditch’s edgier earlier art and music scene” he curated at 30 Underwood St Gallery (1994-2002). He has written extensively on the artist and participated in many of the large-scale Orgies Mysteries Theatre by master artist Hermann Nitsch.
KUNST the Clown
Taking on the guise of Kunst Clown, Sakoilsky’s anarcho-philosopher alter ego, the artist performs as a shaman-priest, leading the audience in a messy, carnivalesque ritual to unlock the Flow State Portal.
dynamic synthesis of art and action
The exhibition unfolds as a multidisciplinary synthesis, a blending of paint, performance, digital media, poetry, and philosophy into a visceral, participatory and evolving experience. Central works will include new Kunst Clown Overpaintings, a series of reimagined works, and a centrepiece painting-installation created live on opening night.
happening 31.12.2024
20:00
honour wine
21:00
welcome by Gio Montez
critical introduction by Marcella Magaletti
artworks by Paul Sakoilsky
21:30
Dinner
22:00
Act 1. – Symposium
The artist will read poetry from a forthcoming book of poems.
22:30
Act 2. – Kunst Clown
A Discourse on Method through a short interactive lecture-performance in the ongoing Kunst Clown series (2007-2024). The artist will give a short talk about the exhibition whilst the audience are invited to ‘pie’ him with desert.
23:00
Act 3. – Ritual Painting Performance
Opening the flow state portal into 2025.
00:00 – 12:00
new year ritual
This celebratory act—part agnostic benediction, part cathartic spectacle—transforms the act of art-making into a communal gesture of rebellion and renewal. It is a chaotic yet cohesive response to fractured times, where the creative process becomes both a resistance to and a reconciliation with the present moment. Flow State Portal affirms the enduring power of art as a force of resilience, connection, and celebration, inviting audiences to step into the unknown possibilities of the New Year/2025.
DINNER MENU: the flow state
aperitivo
Mixed media on bruschetta
main course
Flesh on grill
ritual meal
Lentils and cotechino
dessert
Panettone, Torrone, Pandoro
drink
open wine & prosecco
A Paul Sakoilsky manifesto
That I am still alive is a miracleTo know that life intensifies at its edgesDigging into death, ugliness and decayExpresses nothing less than my unbroken desire to liveAn art that articulates itself as others write manifestosThe risk of unleashing the will to powerThe audacity of intensityHe does not stand beside his work, it permeates him as it permeates the space he enters, dividing opinions with charismatic energy.No one has an unbiased opinion of Paul Sakoilsky.Persistent painterly subversions of everyday events bite the British consciousness that flows in neutral watersThe absurd is the last adequate way to respond to this worldRituals merge with performance and poetry, which are not afraid of the big questions, but laughingly run away from them again and againPainting as the blood of life, vitalized and screaming in painThe return of the clown, cake and paint dripping, sometimes blood in rough quantities, liquid that does not want to be a tear, a laughing Zarathustra descending from the peaks of despairTo be free is to tremble over an abyssArt as the first possibility to start dancing thereWhose questions rise through a dark, traumatic reality of life into a space of the sublime; they are not separate from art, but can only be formulated through it Art is not an occupation that makes life more beautifulIt is what makes life beautifulAnd gives it the possibility of radical beauty